2017年，漫画家埃尔默·萨夫洛尔的《逃跑气球》悄然成为网络流行梗。两格漫画中，男人追赶“机会”气球，却被粉色的“害羞”拉住而错失。作者称它源自极其私人的感受，人们借它诉说被自身局限绊住的挫败，无论是缺钱还是突生的杂念，数百万人用它表达心声。
前披头士成员保罗・麦卡特尼下月将发布无声专辑《Is This What We Want?》，以抗议英国政府拟修改版权法。他担忧新法案可能损害艺术家权益，尤其涉及AI使用受版权作品进行训练的问题。专辑中包含一首2分45秒的无声曲目《Bonus Track》，作为象征性表达。
日本多家出版商联合成立内容海外分发协会，要求OpenAI立即停止使用其作品训练AI视频生成工具Sora2，称此举违反日本《版权法》。
加州法院48小时内对两起AI版权案作出不同判决：均认定AI训练属"合理使用"，但法律解释存在分歧。Anthropic案法官认为AI训练类似人类学习，构成转换性使用；而Meta案法官则强调二者本质差异。两案均承认训练数据的创造性价值，但都简化了市场损害评估。判决范围狭窄，未来可能因新证据改变。这凸显版权法在AI时代的适应困境，科技与法律的碰撞将持续考验司法体系。
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